Spatialisation

While listening to my piece, I had one issue with it. I felt like there wasn’t enough movement or variety

Zimoun is a sound artist based in Bern, Switzerland. Creating simple and architectural sound installations, generally using a large amount

When combining the two mixes, the main issue was the volume of both tracks amplifying and clipping a ridiculous amount.

I want to perform my spatialisation piece live, but doing so creates a few issues. Mainly the lack of harmony

I wanted each channel to be a different note, creating chords hopefully. With some experimentation in previous blogs, I was

I want to attempt to harmonize the interference noise, there are two ways to do this. I could just pitch

Walking into the exhibition, I was greeted by motion flap boards spelling poetry out. The sound of the flap board

In relation to my previous blog, I decided to go more into the feedback idea. This time playing with effects

My main idea and concept are to create an installation I don’t have to interfere with and think having speakers/mics

At the end of our first Spatialisation lesson, we were asked to create a quadraphonic score/layout. When creating this, no